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The Twelfth Century Renaissance
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Literature
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The 12th Century renaissance built on the
spread of monasticism and the associated increase in literacy. |
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Geoffrey of Monmouth (c. 1100-55) set the tone
for much twelfth-century literature in his romances about the intrepid
knights at Court of
King Arthur. |
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Chrétien de Troyes (ob.
c. 1185),
the author of
Arthurian Romances, argued that contemporary French culture was as
fine as that of ancient Greece and Rome.
"… Il fonce sur lui, croyant le prendre au dépourvu,
Mais Lancelot sut se protéger;
Avec son épée tranchante.
Il l'a si bien entaillé
Que Méléagant aura grand-peine à s'en remettre,
Même passé avril ou mai,
Car il lui rembarre le nasal dans les dents,
Lui en brisant trois.
Méléagant ressent une telle colère
Qu'il m'arrive pas à prononcer un seul mot,
Et il ne daigne pas implorer merci,
Car son orgueil s'y oppose,
Un orgueil qui le maîtrise et domine.
Lancelot vient à lui, délace son heaume
Et lui tranche la tête.
Jamais plus il ne lui jouera de mauvais tour;
Méléagant est tombé mort, c'en est fait de lui.
…"(Chrétien
de Troyes, Chevalier de charrette: Lancelot). |
[He charges him, hoping to
defeat him
But Lancelot stops him
With his powerful sword.
He strikes him so well
That Meleagant would still feel the blow
Until next April or May,
For he knocked his nose-guard into his teeth
Breaking three of them.
Meleagant responds with such fury
That he can't utter one word,
And he won't stoop to beg for mercy
For his pride resists -
A pride that still masters and dominates him.
Lancelot comes up and pulls off his helmet
And chops off his head.
Never will he suffer at his hands
Meleagant falls dead - it's the end of him].
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In Germany, Hartman von Aue (ob. c. 1215) also
wrote Arthurian romances against the background of the newly confident
German courts. (Frederick Barbarossa (Holy Roman Emperor 1155-90) not
only wanted to dominate Europe politically - he was convinced of
German cultural superiority). Hartmann von Aue's works dealt with
courtly themes of knightly duty and chivalrous love.
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Sculpture from the 12th
Century Church of Saint-Lazare |
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The
Twelfth Century Renaissance was an internationalist movement. One
characteristic of this was the "wandering scholars" who traveled from
country to country. They developed their own genre of poetry
- Carmina Burana - Latin songs celebrating academic and also more
earthly pleasures.
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Ego sum
abbas cucaniensis
et consilium meum est cum bibulis,
et in secta Decii voluntas mea est,
et qui mane me quesierit in taberna,
post vesperam nudus egredietur,
et sic denudatus veste clamabit:
Wafna, wafna!
quid fecisti sors turpissima?
Nostre vite gaudia abstulisti omnia! |
[I am the Abbot of Cockaigne
And all my friends drink gallons
And I worship gambling
And if someone finds me in a bar in the morning
He will leave completely fleeced in the evening.
Stripped of everything, whining:
Life sucks
What incredibly lousy luck
Could have taken away everything good in my life?]
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In France, fables such as the
Roman de Renart began to deal with political subjects.
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"… the
tyrant is one who oppresses the people by violent domination,
just as the prince is one who rules by the laws. … The prince
fights for the laws and liberty of the people; the tyrant
supposes that nothing is done unless the laws are cancelled
and the people brought into servitude …"
(John of Salisbury,
Policraticus VIII.17) |
In
England, John of Salisbury (c. 1120-80) wrote the Policraticus
in about 1159. It was a major work of political theory (although it
laid too much stress on ecclesiastical independence for Henry II's
tastes). |
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John of
Salisbury was noted for his pure Latin style, but the English language
began an artistic revival This led in the early 13th Century to such notable
works as The Owl and the Nightingale.
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Philosophy
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Romance played a key role in the life of the
philosopher and theologian, Peter Abelard (1079-42).
Abelard was a
Nominalist - he
believed that only particular objects really exist, universals are mere words
(that is, there are many - say - trees in the world, but the category "tree" is
an arbitrary one, created for our convenience.)
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Peter Abelard wrote an important work called
Sic et Non (Yes and No), which tried to reconcile the
varying opinions of Christian thinkers on points of
theology. It was extremely important in the history of
philosophy both because it established that all the
arguments for and against an issue should be considered, and
because it used historical context to understand earlier
arguments. |
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Abelard also wrote on theological topics; his
unorthodox views on the Trinity particularly aroused the opposition of
Bernard of Clairvaux (1090-1153.) |
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Abelard stood at the beginning of a movement in
learning called scholasticism. The recovery of the writings of
Aristotle was especially important in provoking new developments in
logic and epistemology. |
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The University of Bologna was founded in the late 1000s,
and rapidly became a principal center for the study of civil and canon law. The
University of Paris grew out of the Cathedral schools of Notre Dame by 1170, and
became especially important for theological knowledge. (Oxford University was
also founded in the 1100s and later re-modeled on the lines of the University of
Paris.) |
Architecture
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 | Advances in engineering knowledge and skills allowed the
development of the Gothic architectural style. Gothic architecture
enclosed large spaces while preserving light and elegance.
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The abbey of Saint Denis in Paris, built in the
1130s and 1140s was one of the first examples of Gothic
architecture. |
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Salisbury Cathedral
(1220-58) |
The pointed arch was far more flexible than
the rounded arch in the openings possible for doors and
windows. It also made adventurous vaulting possible. |

Wells Cathedral
(built late 1100's) |
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| Flying buttresses stood free of the building and
supported the walls by using an arch or part of an arch. This
made it possible to introduce large windows into walls, which no
longer had to bear all the building's weight. |

Flying buttresses at York Cathedral (Minster) (built
from 1220.) |
 | Gothic architecture was another movement that transcended
national barriers. England was in any case a part of Henry II's
international empire, and the influences of styles from as far away
as Sicily penetrated English building. |


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